Encouraged by the results with the X10, I set out to attempt the same Redscale effect with the D90. And while it’s entirely possible to achieve a similar effect with a 10,000K white balance on the D90, the results are not nearly as pleasing.
Showing posts with label Redscale Photography. Show all posts
Showing posts with label Redscale Photography. Show all posts
Wednesday, March 7, 2012
Wednesday, February 29, 2012
Redscaling the X10
White balance works a little differently on the Fujifilm X10 than it does on the D90. Once you set it, you can push it further with the WB Shift.
If you set the D90 to 10,000K then start playing around with the WB Trim, it can drop down below 10,000K. On the X10, any adjustment you make seems to be in addition to the overall setting, which makes for some interesting possibilities. Like Redscaling simulation.
Set the Kelvin WB to 10,000K, then set the WB shift to +9 (red) and -9 (yellow). (the WB is still indicated as 10,000K) then, set the film simulation to Velvia, and bring the color saturation all the way up. You can also play around with sharpness and contrast.
The results are some interesting redscale simulations, better than I can get with the D90 using an orange filter. Unlike using a filter alone, more color separation information is captured, making for a more faithful redscale effect. you get nice greens, and the reds pop from the oranges. The highlights turn to a bright greenish yellow just as with film.
The really cool thing is you can set this all up in one of the two custom presets, so you can switch over anytime. Minor post-processing gets you very close to the effect you get with film.
Just another cool thing about the X10.
If you set the D90 to 10,000K then start playing around with the WB Trim, it can drop down below 10,000K. On the X10, any adjustment you make seems to be in addition to the overall setting, which makes for some interesting possibilities. Like Redscaling simulation.
Set the Kelvin WB to 10,000K, then set the WB shift to +9 (red) and -9 (yellow). (the WB is still indicated as 10,000K) then, set the film simulation to Velvia, and bring the color saturation all the way up. You can also play around with sharpness and contrast.
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| In-Camera Redscale Effect with the Fujifilm X10 |
The results are some interesting redscale simulations, better than I can get with the D90 using an orange filter. Unlike using a filter alone, more color separation information is captured, making for a more faithful redscale effect. you get nice greens, and the reds pop from the oranges. The highlights turn to a bright greenish yellow just as with film.
The really cool thing is you can set this all up in one of the two custom presets, so you can switch over anytime. Minor post-processing gets you very close to the effect you get with film.
Just another cool thing about the X10.
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