Showing posts with label Digital Miniature Camera. Show all posts
Showing posts with label Digital Miniature Camera. Show all posts
Wednesday, January 26, 2011
Review: Canon PowerShot SD780 IS
Labels:
1:2.3" Sensor,
2:3" Sensor,
Canon,
Canon Powershot SD780 IS,
Digital Miniature Camera,
Equipment Reviews
Wednesday, December 22, 2010
Video on the Canon Powershot SD780 IS
I’ll level with you; I’m not a video person. It’s never held that much of an attraction for me. But even I have to admit that I’m fascinated by the fact that pretty much all still digital cameras come with some form of video. And the Canon SD780 is pretty amazing in this regard. In fact, it was a deciding factor in its purchase.
Labels:
1:2.3" Sensor,
2:3" Sensor,
Cameras,
Canon,
Canon Powershot SD780 IS,
Digital Miniature Camera,
Hot Pixels,
Video Capability
Tuesday, November 23, 2010
Canon Powershot SD780 IS: Seven Primes in One
The Canon has seven steps as opposed to the Nikon P5100’s nine, and they’re pretty similar. Starting from the short end:
| Canon Powershot SD780 IS | 35mm equivalent | f-stop |
|---|---|---|
| 5.9mm | 33mm | f/3.2 |
| 7.2mm | 40mm | f/3.5 |
| 8.7mm | 49mm | f/4.0 |
| 10.6mm | 60mm | f/4.5 |
| 12.5mm | 70mm | f/4.5 |
| 14.8mm | 83mm | f/4.8 |
| 17.9mm | 100mm | f/5.8 |
Sunday, November 21, 2010
Just in Time for Christmas: My ELPH Story
My very first childhood camera was a Keystone 125X, a little plastic brick that took 126 film cartridges, and served me well on class trips to the Museum of Natural History. When it came time to upgrade, I saved up for a Kodak Pocket 110. Slim profile, sliding lens cap, thumb-operated film advance lever; at about an inch thick, I could actually slip it into a pocket. This was the camera for me.
Labels:
1:2.3" Sensor,
Cameras,
Canon,
Canon ELPH,
Canon Powershot SD780 IS,
Digital Miniature Camera
First Impressions: Canon Powershot SD780 IS
As I remove the tiny device from its ecologically friendly packaging, the first thing I notice is its heft; It’s solid and substantial. If feels like a real camera, and yet it seems too small to be a real camera.
Thursday, November 18, 2010
New Arrivals: Canon Powershot SD780 IS
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| Canon Powershot SD780 IS, Rear |
Received this just as I was on my way out, so I’ll have to wait until tomorrow to try it out…
At first glance, I really like the fit and finish and the clean layout of the controls. The case is made of metal with a slightly-textured, non-slip etched surface. The controls are flush-mounted so it’s easy to hold the camera without a size-increasing grip while not accidentally hitting any of the buttons.
Labels:
1:2.3" Sensor,
2:3" Sensor,
Cameras,
Cameras and Lenses,
Canon Powershot SD780 IS,
Digital Miniature Camera
Thursday, November 11, 2010
Just in Time
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| Canon PowerShot SD780 IS: A Never-be-without-a-camera-again Camera |
So here I am, looking in a shop window in Manhattan on the way to a gig as I come across the Powershot SD780. It was not far from an SD1200. And I notice both have optical viewfinders.
A curious thing about shop windows in Manhattan. They’re not changed that frequently, and you often find discontinued or new/old stock in them. But since I pass by this window every week, I know that it had recently been changed. Whatever is in this window could not be that old.
At my first opportunity, I research the SD780 IS and although it’s still on Canon’s website, it’s clearly standing near the exit. A newer model, almost identical but sans viewfinder, also comes up in a search. Same thing with the SD1200. I can order either one new from Amazon, so I put this in the back of my mind.
Then one day, my wife calls me from the road; “Get your camera ready, there’s a sunset you’ve got to see; be ready to jump in the car when I get there”. Needless to say it was a great photography-bonding moment for my wife and I, but when we got there, it was gone. “I’ve got to get a cheap camera and keep it in my glove compartment”, she says. Hmmm.
Then, a couple of days later on my way back from the city, I see something interesting and say to myself, “Gee, I wish I had a camera with me”. And in the back of my mind, the gears are turning.
So before it goes away forever, today I decided to order this miniature wonder. With a 33-100mm zoom range, f/3.2-5.8 aperture, 15 sec.-1/1500 sec. shutter speed and ISO range of 80-1600, I should be prepared for just about anything. It’s actually the width and height of a credit card, and just shy of 3/4" thick. And with its rounded corners and edges, it’s the perfect shirt pocket camera. I’ve been waiting for the right compact digital to come along, and this is it.
The sense of urgency came with the realization that last year, Canon was still making compact cameras with zoom viewfinders, and that none of the new models have them, a trend I find disturbing. Nikon, never made a camera this size with a viewfinder, so in considering the Coolpix, I wasn’t even aware that this was an option. I prefer to use an optical viewfinder whenever I can. Holding a camera at arm’s length to compose a picture that everyone else can see is simply not my idea of photography.
So, here I am, ever the Nikon loyalist, with a new Canon camera.
Labels:
1:2.3" Sensor,
2:3" Sensor,
Cameras,
Cameras and Lenses,
Canon Powershot SD780 IS,
Digital Miniature Camera
Sunday, October 17, 2010
Shooting 35mm with the Holga 120
There’s a 35mm film adapter kit available for the Holga 120 which enables you to take standard 3:2 35mm frames. It includes a 36mm x 24mm mask, and a back with the frame counter window covered up. The mask has two plastic brackets on the left side to center the film cartridge, and guides to ensure that the film remains centered on the mask opening. You use the original 120 take-up spool with no additional modifications.
In theory, it should work quite well, although I’m sure the vignetting effect will be missing, and the images will be more tightly cropped as if using a 60mm lens on a standard 35mm camera (slightly longer than a “normal” lens.) Hopefully, I can use the Holga .5x wide angle converter to restore the wide angle effect.
Frame advance will be pretty straightforward; After each picture, I advance 22 clicks. If I wanted to maximize the amount of exposures, I’d reduce the number of clicks by one every other frame to compensate for the increasing diameter of the take-up spool. This of course requires tracking the number of frames taken.
However, in my opinion it’s not the best way to use 35mm film in the 120 Holga. The best way is to modify the standard 6cm x 6cm mask to create a 35mm panoramic adapter. This way, you can take advantage of the full width of the 6cm 120 frame size, plus the full width of the 35mm film, including the sprocket hole area. This is known as “Sprocket Hole” photography, and is quite popular amongst the Lomography community.
So, along with my 35mm adapter kit, I ordered an extra 6cm x 6cm mask. I plan to modify it by adding brackets to center the 35mm cartridge, and possibly add film guides that just barely catch the edge of the film to stop it from curling. But I’m still on the fence about that. Like the standard 36mm x24mm adapter, I would advance the film by clicks, but use 36 to cover the full 6cm width. Or, I could advance less clicks and superimpose the next image on top of the previous one. When processing the film, I’ll ask them not to cut it, so I can decide for myself what constitutes a frame. My Epson V500 scanner should have no problem scanning such a wide frame.
In theory, it should work quite well, although I’m sure the vignetting effect will be missing, and the images will be more tightly cropped as if using a 60mm lens on a standard 35mm camera (slightly longer than a “normal” lens.) Hopefully, I can use the Holga .5x wide angle converter to restore the wide angle effect.
Frame advance will be pretty straightforward; After each picture, I advance 22 clicks. If I wanted to maximize the amount of exposures, I’d reduce the number of clicks by one every other frame to compensate for the increasing diameter of the take-up spool. This of course requires tracking the number of frames taken.
However, in my opinion it’s not the best way to use 35mm film in the 120 Holga. The best way is to modify the standard 6cm x 6cm mask to create a 35mm panoramic adapter. This way, you can take advantage of the full width of the 6cm 120 frame size, plus the full width of the 35mm film, including the sprocket hole area. This is known as “Sprocket Hole” photography, and is quite popular amongst the Lomography community.
So, along with my 35mm adapter kit, I ordered an extra 6cm x 6cm mask. I plan to modify it by adding brackets to center the 35mm cartridge, and possibly add film guides that just barely catch the edge of the film to stop it from curling. But I’m still on the fence about that. Like the standard 36mm x24mm adapter, I would advance the film by clicks, but use 36 to cover the full 6cm width. Or, I could advance less clicks and superimpose the next image on top of the previous one. When processing the film, I’ll ask them not to cut it, so I can decide for myself what constitutes a frame. My Epson V500 scanner should have no problem scanning such a wide frame.
Saturday, October 16, 2010
The Annual Autumn Tradition
Today my family and I will be embarking on our annual autumn tradition; a pumkin-picking pilgrimage to Alstedes in Dover. It seems the perfect opportunity load my Holga 120FN with 35mm film and test out the new .5x Wide Angle Adapter.
I’ve estimated that it takes 24 clicks to advance the film to the next frame with a comfortable space between frames. Of course, this space will widen as the diameter of the take-up spool increases, but I don’t feel like complicating things by tracking the number of exposures and compensating. I just want to shoot.
I plan to take this to a consumer lab for processing, so I want to make it as easy for them as possible. Still, I’ll specify no color correction and to leave the film uncut due to the uneven frame spacing. I’ll unload the film at home in a changing bag, the only real hitch in using 35mm film in the Holga 120, due to the lack of a film rewind knob. The changing bag will find a new home with my Holga kit.
I’ve estimated that it takes 24 clicks to advance the film to the next frame with a comfortable space between frames. Of course, this space will widen as the diameter of the take-up spool increases, but I don’t feel like complicating things by tracking the number of exposures and compensating. I just want to shoot.
I plan to take this to a consumer lab for processing, so I want to make it as easy for them as possible. Still, I’ll specify no color correction and to leave the film uncut due to the uneven frame spacing. I’ll unload the film at home in a changing bag, the only real hitch in using 35mm film in the Holga 120, due to the lack of a film rewind knob. The changing bag will find a new home with my Holga kit.
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