Thursday, August 29, 2013

Rolleiflex 3.5 M-X Synch Twin-Lens Reflex

The Timeless Rolleiflex 3.5 M-X Synch TLR

Yes, this has a waist-level viewfinder, just like the Kodak Brownie Hawkeye. Yes, it accepts medium format film, but there the similarities pretty much end.

Monday, August 26, 2013

Review: AF-S NIKKOR 50mm f/1.4G

This FX-format lens is my go-to lens for portrait and macro work in the DX format. It combines ultra-fast speed with incredible sharpness in an autofocus lens that is manual-focus friendly.

First Impressions: AF-S NIKKOR 50mm f/1.4G

I was surprised to learn that the AF-S 50mm f/1.4 is not that much larger that the AF-S DX 35mm. It is however heavier, weighing in at 9.8 oz., minus caps and hood. The 35mm is a mere 7.0 oz. by comparison. The large, recessed objective lens gives the AF-S 50mm a serious, intimidating appearance.

Review: AF-S DX Nikkor 35mm f/1.8G

The traditional 50mm f/1.8 “normal” lens is the standard in SLR photography. It provides the most natural perspective, simulating what the human eye sees, and is fast enough for most existing light applications. With the introduction of the DX format with its 1.5x crop factor, a new standard had to be developed, which the AF-S 35mm satisfies.

Review: AF-S DX Nikkor 18-55mm f/3.5-5.6G

I poo-pooed this lens until my partner got hers, bundled with her new D3100. Since then I’ve been kicking myself for not buying my D-90 body with its kit lens.

Sunday, August 25, 2013

Review: Tiffen Low Light Polarizer (rotating)

It may seem overkill to write a review on a filter, but the bottom line is, there doesn’t seem to be much valuable information out there concerning these rather expensive accessories. So, today I am reviewing the Tiffen Low Light Polarizer.

Thursday, August 22, 2013

Review: Nikon F3

As I have chosen Nikon as my primary camera “platform”, it only makes sense to have some film bodies to use with my growing collection of F-Mount lenses. While my N80 is a great film body, it doesn’t meter with non-chipped, manual focus lenses. And shooting with it is more like shooting with a full-frame digital than with a traditional manual-focus film body. So when a pre-owned F3HP came my way, I welcomed the opportunity to add it to my trove of working collectibles.