The Timeless Rolleiflex 3.5 M-X Synch TLR |
Thursday, August 29, 2013
Rolleiflex 3.5 M-X Synch Twin-Lens Reflex
Labels:
120 TLR,
Cameras,
Medium Format,
Rollei,
Rolleiflex 3.5 M-X Sync
Monday, August 26, 2013
Review: AF-S NIKKOR 50mm f/1.4G
This FX-format lens is my go-to lens for portrait and macro work in the DX format. It combines ultra-fast speed with incredible sharpness in an autofocus lens that is manual-focus friendly.
Labels:
AF-S NIKKOR 50mm f/1.4G,
Equipment Reviews,
Lenses,
Nikon,
Normal Lens,
Prime Lens
First Impressions: AF-S NIKKOR 50mm f/1.4G
I was surprised to learn that the AF-S 50mm f/1.4 is not that much larger that the AF-S DX 35mm. It is however heavier, weighing in at 9.8 oz., minus caps and hood. The 35mm is a mere 7.0 oz. by comparison. The large, recessed objective lens gives the AF-S 50mm a serious, intimidating appearance.
Labels:
AF-S NIKKOR 50mm f/1.4G,
Lenses,
Nikon,
Normal Lens,
Prime Lens
Review: AF-S DX Nikkor 35mm f/1.8G
The traditional 50mm f/1.8 “normal” lens is the standard in SLR photography. It provides the most natural perspective, simulating what the human eye sees, and is fast enough for most existing light applications. With the introduction of the DX format with its 1.5x crop factor, a new standard had to be developed, which the AF-S 35mm satisfies.
Review: AF-S DX Nikkor 18-55mm f/3.5-5.6G
I poo-pooed this lens until my partner got hers, bundled with her new D3100. Since then I’ve been kicking myself for not buying my D-90 body with its kit lens.
Labels:
AF-S DX Zoom-NIKKOR 18-55mm f/3.5-5.6G,
Equipment Reviews,
Kit Lens,
Lenses,
Nikon,
Normal Zoom Lens,
Zoom Lens
Sunday, August 25, 2013
Review: Tiffen Low Light Polarizer (rotating)
It may seem overkill to write a review on a filter, but the bottom line is, there doesn’t seem to be much valuable information out there concerning these rather expensive accessories. So, today I am reviewing the Tiffen Low Light Polarizer.
Thursday, August 22, 2013
Review: Nikon F3
As I have chosen Nikon as my primary camera “platform”, it only makes sense to have some film bodies to use with my growing collection of F-Mount lenses. While my N80 is a great film body, it doesn’t meter with non-chipped, manual focus lenses. And shooting with it is more like shooting with a full-frame digital than with a traditional manual-focus film body. So when a pre-owned F3HP came my way, I welcomed the opportunity to add it to my trove of working collectibles.
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